Spode China: Patterns, Marks & Value Guide

Spode is one of the oldest and most recognized names in English bone china and earthenware, producing some of the world’s most beloved tableware patterns since 1770. The Blue Italian pattern alone has been in continuous production for over 200 years. Whether you inherited a set of Blue Italian, a Christmas Tree service, or pieces with an unfamiliar backstamp, this guide covers everything collectors need to identify, date, and value their Spode.

History of Spode

Josiah Spode I founded the Spode pottery in Stoke-on-Trent, Staffordshire, in 1770. He built his reputation on high-quality blue transfer-printed earthenware that could be produced consistently and affordably. In the 1790s, Spode I is credited with perfecting the formula for English bone china — adding calcined bone ash (typically 50% of the body) to a translucent porcelain mix. This formula, with minor variations, became the British standard and is still used today.

Josiah Spode II continued the business after his father’s death in 1797, introducing what became the company’s most enduring pattern: Blue Italian, first produced around 1816. In 1833, ownership transferred to William Copeland and Thomas Garrett, beginning the long Copeland era. The Spode name was revived formally in 1970 when the company was renamed Spode Ltd. The Portmeirion Group later acquired the Spode brand and continues to produce some patterns today.

How to Date Spode by Backstamp

The backstamp is the most reliable dating tool for any Spode piece. Because the company traded under several names over 250 years, the mark tells you both the maker and the era.

EraMark TextKey FeaturesValue Signal
1770–1833 (Early Spode)SPODE in uppercase, sometimes with pattern numberBlue under-glaze print or red/black overglaze; no country nameHighest — oldest factory production
1833–1847 (Copeland & Garrett)COPELAND & GARRETT, often with “Late Spode”“Copeland & Garrett Late Spode” definitively dates piece to this windowVery high — rare transitional mark
1847–1891 (W.T. Copeland, early)COPELAND or W.T. COPELAND, sometimes “Copeland Late Spode”No country name; “Late Spode” used as quality signal into 1890sHigh — 19th century production
1891–1920 (W.T. Copeland, England)COPELAND + ENGLAND“England” required by US McKinley Tariff Act from 1891; no “Made in”Medium-high — pre-WWI earthenware and china
1920–1970 (W.T. Copeland, Made in England)COPELAND + MADE IN ENGLAND“Made in England” replaces bare “England” from ~1920Medium — most common Copeland era finds
1970–2009 (Spode Ltd.)SPODE in serif font + MADE IN ENGLAND + pattern namePattern name printed below mark; Spode name revived; widest availabilityLower — recent production, widely available
2009–present (Portmeirion)SPODE by Portmeirion or combined brandingPost-merger production; Blue Italian and Christmas Tree still madeLowest for vintage collectors

Spode Patterns at a Glance

Spode produced hundreds of patterns over 250 years. These are the most collected and most frequently found on the secondary market.

PatternIntroducedStyleStill Made?Collector Appeal
Blue Italianc. 1816Blue transfer-print, Italian landscape sceneYes (Portmeirion)Very high — world’s longest-running transfer-print pattern
Tower Blue1814Blue transfer-print, bridge and tower riverside sceneYes (Portmeirion)High among blue-and-white transferware collectors
Spode’s WillowEarly 19th c.Blue transfer-print, classic willow sceneNoHigh — commands 3x–5x premium over unmarked Willow
Christmas Tree1938Green and red decorated tree on whiteYes (Portmeirion)Very high — most popular seasonal china collectible
FlorenceMid-20th c.Formal bone china; cobalt border, gold, floral medallionNoHigh among formal dining collectors
Buttercup1970sDelicate yellow floral on bone chinaNoModerate — accessible entry point, widely available
Billingsley RoseCopeland eraFormal bone china; pink roses, gold borderNoHigh — valued for gold work and cobalt borders

Spode China Value Guide

Values reflect current secondary market activity on eBay completed sales, Replacements Ltd. pricing, and specialist auction results. Condition is critical — chips, cracks, or fading reduce value significantly across all Spode patterns.

ItemEra / MarkConditionPrice Range
Blue Italian dinner plateSpode Ltd. (post-1970)Excellent$15–$40
Blue Italian dinner plateCopeland (1847–1970)Excellent$25–$75
Blue Italian dinner plateEarly Spode (pre-1833)Excellent$75–$250
Blue Italian 12-place serviceSpode Ltd.Complete$300–$700
Blue Italian 12-place serviceCopeland eraComplete$500–$1,200
Blue Italian teapotSpode Ltd.Excellent$80–$150
Blue Italian soup tureen (lid + ladle)Any eraExcellent$200–$500
Blue Italian large platterPre-1900Excellent$150–$400
Christmas Tree dinner plateSpode Ltd.Excellent$20–$45
Christmas Tree dinner plateCopeland (pre-1970)Excellent$35–$80
Christmas Tree 12-place serviceSpode Ltd.Complete$400–$900
Christmas Tree soup tureen (lid + ladle)Spode Ltd.Excellent$200–$450
Tower dinner plateCopeland eraExcellent$30–$80
Spode Willow plateSpode or Copeland markExcellent$40–$120
Florence bone china dinner plateCopelandExcellent$50–$120
Parian bust, common subjectCopeland-markedExcellent$150–$450
Parian bust, rare subject or largeCopeland-markedExcellent$400–$2,000+
Any piece with chip, crack, or crazingAnyDamaged50%–80% reduction

How to Identify Spode Patterns

Most Spode Ltd. pieces (post-1970) have the pattern name printed on the backstamp alongside the Spode mark, making identification straightforward. For older Copeland and early Spode pieces, the pattern name is sometimes absent. In those cases, match the visual design to reference photographs in specialist resources. Robert Copeland’s Spode’s Willow Pattern and Other Designs After the Chinese is the definitive reference for blue and white transferware. For bone china patterns, the Spode Collector’s Society and Replacements Ltd.’s online database are the most comprehensive free resources.

Pattern numbers (printed numerals alongside the mark on older pieces) are a secondary identification tool. Early Spode pattern numbers were assigned sequentially — pattern number 2118, for example, is Blue Italian, assigned when the pattern was introduced circa 1816. Finding the pattern number in a Spode pattern reference confirms both the pattern name and the approximate production era.

Caring for Spode China

Item TypeSafe MethodWhat to Avoid
Blue and white transferware (Spode Ltd.)Dishwasher-safe; hand wash preferredAbrasive scrubbers — can lift transfer print
Bone china with gold or platinum bordersHand wash only with mild soapDishwasher — strips precious metal decoration permanently
Parian ware (unglazed biscuit)Dust with soft dry brushWater immersion — biscuit body absorbs moisture and staining
All plate storageFelt or foam separators between platesStacking bare — foot ring scratches the surface below
Bone china (temperature)Room temperature handlingRefrigerator-to-oven transitions — thermal shock cracks bone china
Transfer-printed surfacesSoft cloth, gentle pressureAbrasive sponges — the blue transfer lifts with repeated abrasion

Where to Buy and Sell Spode

VenueBest ForPrice LevelNotes
Replacements Ltd.Individual piece replacements, all Spode patternsRetail (dealer)Most comprehensive pattern database; Blue Italian, Christmas Tree always in stock
eBay completed salesActual market pricingSpot marketFilter by “sold” for real transaction prices; Blue Italian and Christmas Tree very active
Ruby Lane / EtsySpecialist dealers, attributed piecesFair dealerWell-described Copeland era pieces; better attribution than general antique malls
UK auction houses (Woolley & Wallis, Bonhams)Significant Copeland Parian, early Spode transferware, formal china servicesAuction premiumBest venue for high-value pre-1900 pieces; buyer’s premium adds 20%–30%
Spode Collector’s SocietyRarer patterns, Copeland-era pieces, specialist buyersCollector marketMembers-only sales; network of specialist dealers
Estate salesBlue Italian and Christmas Tree at below-market pricesBelow retailAppear regularly at American estate sales, often underpriced vs. Replacements Ltd.
Antique malls / flea marketsBlue Italian and Christmas Tree by the pieceVariableAttribution quality varies; check backstamp carefully before buying

Frequently Asked Questions About Spode China

Why does my Spode say Copeland instead of Spode?

The Spode factory traded under the Copeland name from 1833 to 1970. William Copeland took ownership after the Spode family, and the company became Copeland & Garrett (1833 to 1847) and then W.T. Copeland (1847 to 1970). Pieces marked ‘Copeland,’ ‘Copeland & Garrett,’ or ‘Copeland Late Spode’ were all made at the original Spode factory in Stoke-on-Trent. The Spode name returned to backstamps only in 1970 when the company was renamed Spode Ltd. A Copeland-marked piece is genuine Spode factory production — simply from the era when the company used the Copeland name.

How old is my Blue Italian Spode?

Check the backstamp. If it reads ‘Spode’ without further text, the piece is either pre-1833 (very early and valuable) or post-1970 (Spode Ltd. era). If it reads ‘Copeland & Garrett,’ it is from 1833 to 1847. If it reads ‘Copeland’ with ‘England,’ it dates from 1891 to approximately 1920. If it reads ‘Copeland’ with ‘Made in England,’ it is from approximately 1920 to 1970. If it reads ‘Spode’ with ‘Made in England’ and a pattern name printed below, it is post-1970 Spode Ltd.

Is Spode china valuable?

Spode china ranges widely in value depending on age, pattern, and condition. Post-1970 Spode Ltd. Blue Italian and Christmas Tree pieces are widely available and modestly priced ($15 to $45 per plate). Early Spode-marked or Copeland-marked pieces from the 19th century carry stronger premiums — a pre-1847 Blue Italian dinner plate can be worth $75 to $250. Rare Copeland Parian busts and complete services with all serving pieces command the highest prices.

What is the difference between Spode and Copeland Spode?

Both refer to the same factory in Stoke-on-Trent. ‘Spode’ refers to production before 1833 and after 1970. ‘Copeland’ refers to the same factory’s production between 1833 and 1970, when the Copeland family owned the business. The difference is the ownership era shown on the backstamp, not the factory or the quality. Collectors value both, with the age of the piece generally mattering more than whether it says Spode or Copeland.

Does Spode still make Blue Italian?

Yes. The Portmeirion Group acquired the Spode brand and continues to produce Blue Italian today, making it the world’s longest continuously produced transfer-print pattern, in production since approximately 1816. Vintage collectors distinguish between current Portmeirion production and pre-2009 Spode Ltd. or pre-1970 Copeland pieces, but for functional use the pattern remains the same.

How do I find a replacement piece for my Spode pattern?

Replacements Ltd. is the most comprehensive source for individual Spode replacements, carrying hundreds of Spode patterns including discontinued ones. Look for the pattern name on your piece’s backstamp, then search Replacements Ltd.’s website by that name. If no name appears, photograph the piece and describe the dominant colors, motif, and border to Replacements Ltd.’s identification service. For Blue Italian and Christmas Tree, new production pieces are available directly from retailers carrying Portmeirion Spode products.

How can I tell if Spode is real or a reproduction?

Genuine Spode pieces always have a factory backstamp — the mark is the first thing to check. Early Spode (pre-1833) marks show age-consistent wear under the glaze and the fine engraving detail of hand-pulled transfers. Reproductions typically lack a period-accurate backstamp, show uniform white bodies without age staining, and have transfer prints that appear flat or blurry compared to original copper-plate engravings. For Parian ware, authentic Copeland pieces have the crisp, matte warmth of genuine Parian marble; reproductions in plaster or resin feel lighter, look chalky, and lack the subtle translucency of genuine biscuit porcelain.

What is Spode Parian ware?

Parian ware is an unglazed white biscuit porcelain with a slight warmth that resembles Parian marble from Greece. Copeland and Spode produced significant quantities from the 1840s through the early 1900s, including portrait busts of Victoria, Albert, Wellington, and literary figures. Marked Copeland Parian pieces in excellent condition sell for $150 to $2,000 or more depending on subject, size, and rarity. Unmarked white busts of the same era are worth considerably less even if visually similar.

More Antique China Guides

For a complete overview of antique china brands, marks, identification, and values, see our Antique China Guide.